|Lots of goodies to play with!|
|These paints are great quality with lots of pigment|
Once I'd nailed the natural looking black and white stuff I drifted towards a more colourful approach...heehee! This is such an easy technique to do and if you don't like the way things are going you can lightly brush out or dab over with a bit more paint! I took a piece of the natural black and white version and incorporated it into a card featuring one of the DoCrafts Gorjuss stamps and some debossed vellum.
|She's such a cutie|
Here's that piece of marbling in the background. The card has also been embellished with the X- cut Woodland Flourishes die set which I've found to be pretty versatile as it seems to go well with lots of different styles of cards.
Next up was a bit of crackle painting...
You will need: Coloured cardstock, loads of PVAglue - the cheaper, the better, and acrylic paint - any colour - just make sure it contrasts with the colour of the background cardstock you are using.
|It crackles as if by magic!|
Now, I don't mind admitting that this took me quite a few goes before it worked but that was to do with me being an idiot rather than how difficult it was to do. I would say, the main thing to remember here is to work quickly, be messy with the bog standard pva glue and don't be tempted do go back and overwork your paint. One sweep of paint on top of the glue is all you need. I sort of imagine it as just sitting on top of the glue. Now, in an ideal world a quick zap of the heat gun doesn't go amiss at this stage but it really isn't essential as science/physics or some kind of sorcery takes effect and the paint starts to pull away from the slower drying pva underneath. Once dried this makes an interesting background for a card too!
Doesn't that crackle work well with a bit of Gorjuss? I love that this card worked well combining the crackle, distressy feel with the dark and mysterious Gorjuss girl! I used an inky technique for the stamped picture frame that contains Gorjuss, which leads us nicely on to the next technique which is:- ink spritzing and distressing.
Now this is one style that's usually more associated with Tim Holtz distressing inks but I wanted to try giving it a go with the DoCrafts Artiste ink pads as these are water based inks too so work in exactly the same way. Start with your lightest colour ink first, pat down on a craft sheet or glass cutting mat - even a sheet of acetate would work here, spritz with a bit of water and start dabbing the card around in the ink. I guess you could add as many layers of colour here as you like but I would stop at three. Why? I don't know - other than the main principle of colour mixing which says mixing three secondary colours together makes brown ( I know yellow is a primary. I'm just trying to illustrate a point here...) This is one of those rare times where less is more and if you want to stamp an image over the colours you've mixed then you don't want to make them too dark or muddy! Here's a close up of all that beautiful inky spritzing!
|Inky spritzing overstamped with a brown pigment ink|
Of course, the real beauty here is that no two cards will ever be the same! Fabsy!!!
Ok, so there are quite a few cards I have to let you see but I'm going to wind this post up for today as duty calls (pesky kids eh!)!!!
Thanks for coming by for a look - I'll get those other cards up here ASAP!